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Playing with Scales
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Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.
$4.99
4.66 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
The CelloWay 1 Scales & Exercises
Cello (band part)
Cello Solo - Level 1 - Digital Download SKU: A0.1095700 Composed by Julie Munkholm …
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Cello Solo - Level 1 - Digital Download SKU: A0.1095700 Composed by Julie Munkholm Bruun. Classical. Individual part. 28 pages. Julie Munkholm Bruun #699683. Published by Julie Munkholm Bruun (A0.1095700). This book contains a set of exercises and scales that fits with ”The CelloWay 1”. Scales and arpeggios can shape the technical foundation for playing and it can help create a pathway to make note reading easier. In classical music from Mozart and Beethovens time, a lot of the melodies were build upon a set of scales, thirds and arpeggios, so recognizing these patterns from an early stage will help you tremendously. In both old and new music (in most genres) that are written in normal keys, it can help you to recognize the notes, and make them into music with a better understanding. Practicing scales in different rhythms and tempos will help you target the scales from different angles, and help you develop finger strength, the ability to play more precise and in a faster pace. Working with scales will also help you reach a better intonation on the instrument.
$6.00
5.6 €
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Cello (band part)
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Julie Munkholm Bruun
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The CelloWay 1 Scales & Exercises
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Julie Munkholm Bruun
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SheetMusicPlus
Playing the Piano With Chords - Volume 2
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.701427 Composed by Kevin G. Pace. I…
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Piano Solo - Level 4 - Digital Download SKU: A0.701427 Composed by Kevin G. Pace. Instructional. Score. 192 pages. Kevin G. Pace #3088097. Published by Kevin G. Pace (A0.701427). Playing the Piano with Chords 2 is the 2nd book in a series to teach pianists to play chords. Many skills are taught including: Chords that go with scales, embellishments of chords through non-harmonic tones and chord extensions, modulation, transposing, 9th chords, 11th chords, 13th chords, turn arounds, common jazz voicings, Augmented 6th chords, sequences, Neapolitan chords, chromatic mediants, tonicization, secondary dominants, circle of 5th progressions and chord voicings. 189 pages.
$11.95
11.15 €
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Piano solo
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Kevin G
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189 pages.
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Playing the Piano With Chords - Volume 2
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Kevin G. Pace
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SheetMusicPlus
Mastery of Keys: A Comprehensive Guide of Scales, Arpeggios, and Chords
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.1310433 Composed by Bill Walker. Ar…
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Piano Solo - Level 1 - Digital Download SKU: A0.1310433 Composed by Bill Walker. Arranged by Bill Walker. Instructional. Score. 201 pages. Bill Walker Music Publishing #899072. Published by Bill Walker Music Publishing (A0.1310433). Mastery of Keys: A Comprehensive Guide of Scales, Arpeggios, and Chords A book for every pianist: student, teacher, and professional!Whether you're just starting your musical journey or seeking to refine your craft, this book is your invaluable companion. With clear, practical exercises, you'll efforlessly navigate the intricate patterns of scales, arpeggios, and chords. From the foundational basics to the most intricate progressions, this book equips you with the tools to unlock your true potential as a pianist.Let's look inside: Section 1: Scales Five Finger Scales Major Scales: One Octave Major Scales: Two Octaves Major Scales: Three Octaves Major Scales: Four Octaves Minor Scales: Natural, Melodic, and Harmonic Major & Harmonic Minor Scales in 3rds Major & Harmonic Minor Scales in 6ths Major & Harmonic Minor Scales in 10th Major & Harmonic Minor Scales in Octaves Chromatic Scales Section 2: Arpeggios Major, Minor, Dominant 7th and Diminished 7th Section 3: Chords Scale-Tone Triads, Cadences, and Inversions 24 Chords Beginning on Each Root Note Section 4: Appendices Appendix A: The Circle of Fifths Diagram Appendix B: Glossary Within these pages, you'll find an approach that embraces all fifteen major and fifteen minor keys, illuminating the keyboard in its entirety. I acknowledge that some keys may seem less trodden in the world of music composition, but their existence justifies the learning of them. Playing in all keys isn't just about mastering notes; it's about enhancing your versatility, shapening your musical ear, and empowering you to tackle any piece of music that comes your way.Let your fingers dance across the keyboard, let the notes resonate with your heart, and let this book be a guiding star on your musical voyage.Happy Playing!
$14.99
13.99 €
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Piano solo
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Bill Walker
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Mastery of Keys: A Comprehensive Guide of Scales, Arpeggios, and Chords
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Bill Walker Music Publishing
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SheetMusicPlus
I Love Scales in C Major for the Right Hand Exercise 02
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.906736 Composed by Joy Gilmore. Ins…
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Piano Solo - Level 2 - Digital Download SKU: A0.906736 Composed by Joy Gilmore. Instructional. Score. 9 pages. Joyful Sound Music #3259721. Published by Joyful Sound Music (A0.906736). I Love Scales in C Major for the Right Hand Exercise 02 includes four different exercises. 02-A, 02-B, 02-C and 02-D.Playing scales is very important. Playing scales can help piano students in timing, ear training, hands coordination, muscle memory and much more.I Love Scales in C Major for the Right Hand exercise is mainly focus on right hand fingers coordination when playing scales. Each arrangements accommodated with four left hand chords and styles. This rearranged scales exercise is for the students who is struggling with playing scales both hands. This exercise can prepare students to play scales with both hands smoothly.I Love Scales for the Right Hand Series is composed by Joy Gilmore. Different major keys will be available soon. For more technique exercises, please check out I Love Arpeggio series, Simple Hanon Series and Hanon Workout series.
$1.99
1.86 €
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Piano solo
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Joy Gilmore
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I Love Scales in C Major for the Right Hand Exercise 02
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Joyful Sound Music
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SheetMusicPlus
I Love Scales in C Major for the Right Hand Exercise 01
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.906735 Composed by Joy Gilmore. Ins…
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Piano Solo - Level 2 - Digital Download SKU: A0.906735 Composed by Joy Gilmore. Instructional. Score. 9 pages. Joyful Sound Music #3259715. Published by Joyful Sound Music (A0.906735). I Love Scales in C Major for the Right Hand Exercise 01 includes four different exercises. 01-A, 01-B, 01-C and 01-D.Playing scales is very important. Playing scales can help piano students in timing, ear training, hands coordination, muscle memory and much more.I Love Scales in C Major for the Right Hand exercise is mainly focus on right hand fingers coordination when playing scales. Each arrangements accommodated with four left hand chords and styles. This rearranged scales exercise is for the students who is struggling with playing scales both hands. This exercise can prepare students to play scales with both hands smoothly.I Love Scales for the Right Hand Series is composed by Joy Gilmore. Different major keys will be available soon. For more technique exercises, please check out I Love Arpeggio series, Simple Hanon Series and Hanon Workout series.
$1.99
1.86 €
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Piano solo
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Joy Gilmore
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I Love Scales in C Major for the Right Hand Exercise 01
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Joyful Sound Music
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SheetMusicPlus
I Love Scales in C Major for the Right Hand Exercise 04
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.906737 Composed by Joy Gilmore. Ins…
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Piano Solo - Level 2 - Digital Download SKU: A0.906737 Composed by Joy Gilmore. Instructional. Score. 32 pages. Joyful Sound Music #3259727. Published by Joyful Sound Music (A0.906737). I Love Scales in C Major for the Right Hand Exercise 04 includes four different exercises. 04-A, 04-B, 04-C, and 04-D.Playing scales is very important. Playing scales can help piano students in timing, ear training, hands coordination, muscle memory and much more.I Love Scales in C Major for the Right-Hand exercise is mainly focus on right-hand fingers coordination when playing scales. Each arrangement accommodated four left-hand chords and styles. This rearranged scales exercise is for the students who are struggling with playing scales both hands. This exercise can prepare students to play scales with both hands smoothly.I Love Scales for the Right Hand Series is composed by Joy Gilmore. Different major keys will be available soon. For more technique exercises, please check out the I Love Arpeggio series, Simple Hanon Series and Hanon Workout series.
$7.99
7.46 €
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Piano solo
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Joy Gilmore
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I Love Scales in C Major for the Right Hand Exercise 04
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Joyful Sound Music
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SheetMusicPlus
Thompson's Structured Guide: Scales, Modes & Associated Chords by Key - for GUITAR
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1155573 By Alan R Thompson. By Alan R T…
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Guitar - Level 3 - Digital Download SKU: A0.1155573 By Alan R Thompson. By Alan R Thompson. Arranged by Alan R Thompson. Blues,Classical,Jazz,Pop,Rock. Guitar Tab. 936 pages. Alan R Thompson #755871. Published by Alan R Thompson (A0.1155573). Guitar Tablature and sheet music version of Thompson's Structured Guide by key / relative modes. This book represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This “STRUCTURED GUIDE” will provide building blocks for the creation of original music, be useful in increasing technical proficiency in your instrument of choice, improve your sight-reading skills and help you develop a better ear for music. This book lists in standard sheet music notation over 75 scales (and their Relative Modes) and over 75+ associated chords organized in each of the 12 Key Signatures (or enharmonic equivalent keys) found in Western Music. Note that the sheet music in this book is organized by Key Signature (Relative Modes) and not by Tonic/Tonal Center (Parallel Modes) as in separate book. This organization helps promote a more fluid approach for improvising without need for excessive mental calculations to transpose keys as you're playing. Each Key Signature Section is 76 pages of sheet music, which could take several hours to play depending on how familiar you are with the material and how much you improvise thereon. Scales and Modes listed include the Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Lydian Diminished/Lydian b3, Whole Tone, Octatonic/Diminished and Chromatic Scales. Also, numerous Bebop and Pentatonic Scales (traditional & exotic), Augmented, Double Harmonic Scales and numerous unique non-standard Scales are referenced, etc. Chords from triads up to 13ths are presented in arpeggiated & as well as block format with inversions, along with SCALE SUGGESTIONS for these chords. Author Contact: alanrt63@gmail.com [Will provide free updated PDF to purchasers making suggestions incorporated in later edition.].
$14.99
13.99 €
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Guitar notes and tablatures
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Alan R Thompson
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Thompson's Structured Guide: Scales, Modes & Associated Chords by Key - for GUITAR
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Alan R Thompson
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SheetMusicPlus
Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords (in all KEY SIGNATURES)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1108136 By Alan R. Thompson. By Ala…
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Piano Solo - Level 3 - Digital Download SKU: A0.1108136 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Pop,Rock,Traditional. Score. 407 pages. Alan R Thompson #710754. Published by Alan R Thompson (A0.1108136). This book represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This “STRUCTURED GUIDE” will provide building blocks for the creation of original music, be useful in increasing technical proficiency in your instrument of choice, improve your sight-reading skills and help you develop a better ear for music. This book lists in standard sheet music notation over 75 scales (and their Relative Modes) and over 75+ associated chords organized in each of the 12 Key Signatures (or enharmonic equivalent keys) found in Western Music. Note that the sheet music in this book is organized by Key Signature (Relative Modes) and not by Tonic/Tonal Center (Parallel Modes) as in separate book. This organization helps promote a more fluid approach for improvising without need for excessive mental calculations to transpose keys as you're playing. Each Key Signature Section is 28 pages of sheet music, which could take several hours to play depending on how familiar you are with the material and how much you improvise thereon. Scales and Modes listed include the Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Lydian Diminished/Lydian b3, Whole Tone, Octatonic/Diminished and Chromatic Scales. Also, numerous Bebop and Pentatonic Scales (traditional & exotic), Augmented, Double Harmonic Scales and numerous unique non-standard Scales are referenced, etc. Chords from triads up to 13ths are presented in arpeggiated & as well as block format with inversions, along with SCALE SUGGESTIONS for these chords. Audio sample plays through a Grand Staff version in C-Major / A-Minor. Author Contact: alanrt63@gmail.com [Will provide free updated PDF to purchasers making suggestions incorporated in later edition.].
$14.99
13.99 €
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Piano solo
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Alan R
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Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords
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Alan R Thompson
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SheetMusicPlus
Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Players
Trumpet
Trumpet Solo - Level 3 - Digital Download SKU: A0.726446 Composed by Kenneth Baird.…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.726446 Composed by Kenneth Baird. Arranged by Kenneth Baird Music. Instructional. Individual part. 69 pages. Kenneth Baird Music #6322401. Published by Kenneth Baird Music (A0.726446). Designed to be a companion volume to any standard intermediate band method book (books 2 and 3) or to a book of etudes, Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Player focuses on developing mastery in the keys and instrument range of what an intermediate player is likely to encounter in his or her everyday playing. The keys covered here in detail range from those with three flats to those with three sharps. Keys with more sharps or more flats are only very briefly touched upon. In addition to the usual major, minor and chromatic scales, studies on pentatonic and blues scales are also included. The book also includes interval studies, flexibilities, double and triple tonguing, range building, swing style basics, and a suggested warm-up. Additionally, several pages of technical studies inspired by H. L. Clarke's renowned book are included. Another notable feature is a section on expressive playing, including vocalises, traditional melodies, and melodies from symphonic composers.Book Contents:Key Signatures.
$7.95
7.42 €
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Trumpet
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Kenneth Baird
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Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Players
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Kenneth Baird Music
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SheetMusicPlus
Around the Circle: Tetrachords Scales for Piano
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.836194 Composed by Edna J. Bloom. I…
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Piano Solo - Level 1 - Digital Download SKU: A0.836194 Composed by Edna J. Bloom. Instructional. Score. 19 pages. Bloom Musicnotes #4737099. Published by Bloom Musicnotes (A0.836194). Around the Circle: Tetrachord Scales for Piano (or Theory Class!) illustrates the structure of major scales. Better yet, students have a visual representation that allows playing through all the scales quite early in piano study, broadening experience well beyond hand positions and even the staff. Letter and solfege charts pare the information to one-page spreads. The grand staff representation begins with C2 and progresses up to multiple ledger lines. The grand staff scales, 14 staves on four pages, have four variations: alphanotes with key signature, alphanotes with accidentals, standard notes with key signature, and standard notes with accidentals. That's a lot of flexibility! This download may be used individually or for all students of ONE instructor.
$4.50
4.2 €
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Piano solo
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Edna J
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Around the Circle: Tetrachords Scales for Piano
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Bloom Musicnotes
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SheetMusicPlus
Scales Through the Break- For Horn
Instrumental Duet Euphonium,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Euphonium,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.933710 Composed by Josh Rogan. Instructional. Score and parts. 33 pages. Josh Rogan #3549649. Published by Josh Rogan (A0.933710). This book was originally written for trumpet players to improve their major scales, regardless of their current ability to play the instrument. However, after showing it to some horn players, we realised that it would be a great way to work on the break between high and low horn registers, playing in that awkward register until it becomes a smooth join.The book is divided into 3 parts. Part 1 focuses on typical scale patterns, incorporating articulation patterns into each exercise. Part 2 focuses on repetition to help build muscle memory and ‘iron out’ some of the more awkward patterns. Part 3 takes the exercises from Part 1 and uses them to cover multiple octaves, which will help to bridge the different registers.This book uses the same 15 exercises used in the Scales Bootcamp, but they appear in this book with only major scales, and in appropriate registers to work on the break for french horn. Scales Through the Break also includes 10 additional exercises aimed specifically to assist the horn through its greater range of use. If you like this book, then you can follow it up later with all of the modes, and other scale types in the Scales Bootcamp.
$14.99
13.99 €
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Josh Rogan
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Scales Through the Break- For Horn
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Josh Rogan
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SheetMusicPlus
Major Scales, Chords, and Arpeggios for Piano, Level 2
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.1298760 Composed by Debbie Winters,…
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Piano Solo - Level 1 - Digital Download SKU: A0.1298760 Composed by Debbie Winters, NCTM. Early Music,Instructional. Score. 44 pages. Debbie Winters #888629. Published by Debbie Winters (A0.1298760). It is important to introduce piano students to scales, chords, and arpeggios early in their course of study. By practicing the patterns in this book, students will recognize and be able to play the scale, chord, and arpeggio patterns when they encounter them in more advanced music. The scales introduced in this book are one-octave scales in the major keys of C, G, D, A, E, F, B♭, and E♭. Each scale is introduced in hands-separately patterns, followed by hands-together patterns. Included with each scale is a theory section that asks for the key’s tonic, sub-dominant, and dominant notes and corresponding chords. These primary chords are shown on the staff as a common cadence, giving students the opportunity to become comfortable with reading them and playing them. Also included are several improvisating and tranposing exercises that will give students the tools needed to perform with confidence.
$4.99
4.66 €
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Piano solo
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practicing the patterns in this book, students will recognize and be able to play the scale, chord, and arpeggio patterns when they encounter them in more advanced music
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Debbie Winters, NCTM
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Major Scales, Chords, and Arpeggios for Piano, Level 2
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Debbie Winters
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.86 €
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Whole-Tone Scales & Exercises
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.901487 Composed by Hayden Woods. Instru…
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Guitar - Level 2 - Digital Download SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by Hayden Lee Woods (A0.901487). In working on concepts to break away from some of the more tonal aspects of music, I have been working on some exercises focused on scales that are not utilized in a classical sense, which brings us to this file.The whole-tone scale series uses the concept in the name: only whole steps, no half steps. For guitar, the best way to visualize the scale is by performing this scale by picking a string and playing only the even frets or odd frets on that string in order (0-2-4-6-8-10-12 or 1-3-5-7-9-11-13) to get that string's basic whole tone scale. This sheet music exercises the C and C# whole tone scales as they are the common anchors of whole tone scales, working all six strings and some techniques to maneuver appropriately. With this you get the two whole-tone scales and two exercises in each of the keys to get started on a less standard procedure! Enjoy!!!
$2.39
2.23 €
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Guitar notes and tablatures
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Hayden Woods
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Whole-Tone Scales & Exercises
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Hayden Lee Woods
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SheetMusicPlus
3/4 Time Major Scales (with I-IV-V-IV-I chord progressions)
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1049915 Composed by Hayden Woods. I…
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Easy Piano - Level 1 - Digital Download SKU: A0.1049915 Composed by Hayden Woods. Instructional. Score. 5 pages. Hayden Lee Woods #654307. Published by Hayden Lee Woods (A0.1049915). This is a piano exercise of the 12 major scales separated into right and left hands. Whenever one hand is playing the scale ascending and descending, the other hand will lay out a I-IV-V-IV-I progression for support. 12 scales in total, twice each (one in each hand) leads to yet another method of practicing scales in different ways.
$2.39
2.23 €
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Easy Piano
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Hayden Woods
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3/4 Time Major Scales
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Hayden Lee Woods
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SheetMusicPlus
Etude in C, Le Couppey-Nolte
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.72 €
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Piano solo
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Eric Paul Nolte and Felix Le Couppey
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Nineteen Skeletal Duets for Euphoniums (in treble clef)
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.9174…
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00
18.67 €
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Gregory Fritze
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Nineteen Skeletal Duets for Euphoniums
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Musica Nova USA
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SheetMusicPlus
Twenty-two Skeletal Duets for Horns
2 French horns (duet)
Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.917408
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Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.917408 Composed by Gregory Fritze. Classical,Concert,Contemporary,Instructional,Jazz. Score and parts. 50 pages. Musica Nova USA #6015057. Published by Musica Nova USA (A0.917408). Twenty-two Skeletal Duets for Horns is a set of duets of easy to moderate difficulty specifically designed for teachers to play with their students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional seven duets were added in 2020. The title of each duet is a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones and Nineteen Skeletal Duets for Euphoniums are the same duets but in bass and treble clef respectively. Twenty- two Skeletal Duets for Horns includes the first 19 as in the trombones set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the horn. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThis duet is based on a theme by Beethoven.
$20.00
18.67 €
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2 French horns (duet)
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Gregory Fritze
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Twenty-two Skeletal Duets for Horns
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Musica Nova USA
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SheetMusicPlus
American & Celtic Folk Tunes: Supplementary Exercises, Songs, & Scales for the Beginning Violinist
Violin
Violin Solo - Level 1 - Digital Download SKU: A0.887952 Composed by Stephanie Immor…
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Violin Solo - Level 1 - Digital Download SKU: A0.887952 Composed by Stephanie Immordino, Public Domain. Arranged by Stephanie Immordino. Celtic,Country,Folk,Instructional. 19 pages. SJI Music, LLC #4887065. Published by SJI Music, LLC (A0.887952). American & Celtic Folk Tunes is progressive compilation of exercises, songs, and scales for beginning violinists. It focuses on violin technique and intonation to aid the student in becoming a well-equipped violinist. By uniquely integrating exercises and scales with well-known traditional American and Celtic fiddle tunes, it caters to the student interested in the folk genre. The cleanly formatted e-book includes songs such as Bile 'em Cabbage Down, Simple Gifts, Amazing Grace, Oh! Susanna, Sailor's Hornpipe, and more. Some songs also feature guitar chords to facilitate ensemble playing. It may be used as a stand alone method book, or as supplementary material. .
$9.99
9.32 €
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Violin
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uniquely integrating exercises and scales with well-known traditional American and Celtic fiddle tunes, it caters to the student interested in the folk genre
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Stephanie Immordino, Public Domain
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American & Celtic Folk Tunes: Supplementary Exercises, Songs, & Scales for the Beginning Violinist
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SJI Music, LLC
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SheetMusicPlus
Lyrical Piano Pieces - Joking Around When You Should be Practising your Scales
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.923409 Composed by Jenny Walker. 20…
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Piano Solo - Level 4 - Digital Download SKU: A0.923409 Composed by Jenny Walker. 20th Century,Contemporary. Score. 5 pages. J Walker #5360099. Published by J Walker (A0.923409). Piece number 2 of Lyrical Pieces for Piano. This is a humorous piece with a 'jokey' feel, and the odd interjection of a scalic passage. It depicts someone playing something they like instead of doing scales, which they then do as a token gesture. The 'scales' can be played slightly slower, indicating the need to practise. This piece is aimed at advanced intermediates. .
$6.00
5.6 €
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Piano solo
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Jenny Walker
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Lyrical Piano Pieces - Joking Around When You Should be Practising your Scales
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J Walker
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SheetMusicPlus
Cold Night Snow
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.910357 Composed by Joseph B. Neeley…
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Piano Solo - Level 4 - Digital Download SKU: A0.910357 Composed by Joseph B. Neeley. Concert,Contemporary,Instructional,Standards. Score. 7 pages. Joseph Neeley #6606623. Published by Joseph Neeley (A0.910357). This composition is a great study piece for differing techniques and play styles throughout while giving the pianist freedom to explore dynamics, tempo to create a powerful and emotional performance. The composition begins with a canon style intro leading into a sudden powerhouse section. This composition contains instructional sections for arpeggio chords, scales, hands playing within one another, and quick chord progressions. An excellent song not only for practice but inclusion into the pianist’s repertoire.
$1.99
1.86 €
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Piano solo
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Joseph B
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Cold Night Snow
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Joseph Neeley
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SheetMusicPlus
Method for Trombone
Trombone
Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arrange…
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Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them. Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$22.50
21 €
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Trombone
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Clarke, Ernest
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
Mercy, Mercy, Mercy
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1136559 Composed by Gail Fisher, Jo…
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Piano Solo - Level 3 - Digital Download SKU: A0.1136559 Composed by Gail Fisher, Joe Zawinul, and Vincent Levy. Arranged by Mischa Podstransky. Funk,Jazz. Score. 3 pages. Mischa Podstransky #735056. Published by Mischa Podstransky (A0.1136559). This is a keyboard/piano arrangement of Mercy, Mercy, Mercy suitable for advanced keyboard students (around 4th year of playing). It is to be played without auto accompaniment. There are indications for the sounds that can be used. It includes an improvisational part with scales to use. This piece is designed for educational use (but feel free to use it outside a class room as well :) ).
$4.99
4.66 €
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Piano solo
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Gail Fisher, Joe Zawinul, and Vincent Levy
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Mercy, Mercy, Mercy
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Mischa Podstransky
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SheetMusicPlus
Method for Trombone
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernes…
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Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them.Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$20.00
18.67 €
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Trombone
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Clarke, Ernest
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
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